Тихий ход. (Не)очевидная арт-сцена Петербурга
куратор: Катя Попова
ЦСИ «Винзавод»
4-й Сыромятнический пер., 1/8, стр. 9
28.03 — 15.04.2023
28 марта в a-s-t-r-a gallery открывается первая групповая выставка из цикла «центр, где я есть», в рамках которого галерея совместно с приглашенными кураторами в течение 2023 - 2024 гг. покажет работы художников из различных городов России (Нижнего Новгорода, Краснодара, Екатеринбурга, Воронежа, Владивостока, Уфы, Красноярска и др).
Для a-s-t-r-a gallery задача этого выставочного цикла - не только познакомить московских коллекционеров и арт-сообщество с новыми именами, но и стать местом реализации возможностей для развития горизонтальных связей между участниками арт-процессов различных городов. Помимо выставок работ, цикл предполагает проведение public talks, встреч и выездных арт-туров для погружения в локальные арт-сцены.
В связи с этим a-s-t-r-a объявляет open-сall среди кураторов и художников. Заявки и предложения проектов присылайте на hello@a-s-t-r-a.com с темой письма «центр там, где я есть».
На выставке «Тихий ход. (Не)очевидная арт-сцена Петербурга» будут представлены работы 14 художников: Наташи Хабаровой, Ивана Ненашева, Ивана Шкулипа, Вильгения Мельникова, Светы Исаевой, Ильи Овсянникова, Дмитрия Марголина, Екатерины Деревоток, Александрины Бранши, Павла Бушуева, Надежды Косинской, Ильи Шалашова, Александра Коряшкина и Ивана Смирнова.
«Когда суда заходят в невский фарватер, их встречает надпись «Тихий ход» - сигнал к тому, что надо замедлиться. Тоже происходит с человеком, попадающим в Петербург, - всё начинает подчиняться законам и ритмам города.
Сперва ты с размаху ныряешь в его культурный слой, начиная с Эрмитажа и Мариинки, затем плывешь во всем известные галереи и на концерты musicAeterna в Доме Радио, но постепенно погружаешься в антикварные лавки, спрятанные в дворах-колодцах, великокняжеские особняки, обставленные современным искусством, домашние галереи и мансардные мастерские. Тут и начинается настоящее знакомство с городом и его обитателями.
Выставка «Тихий ход» приглашает посмотреть на не совсем очевидную сцену Петербурга. Художники, представленные на ней, не торопятся быть высвеченными, им комфортно находиться за серой дымкой, не ждать когда рассеется туман, а пребывать в нём, не просто жить в этом ритме, но и создавать его.
«Тихий ход» - это медитативное погружение в более глубокий слой питерской арт-сцены, приглашение познакомиться не только с объектом, но и субъектом, поразмыслить не о высказывании художника, а больше о себе.
Выбирая различные медиа, будь то искорёженный металл, глина, гипс, холст, карандаш, масло, авторы интуитивно стремятся упорядочить, замедлить ход мысли и отпустить её вместе с произведением, проживая что-то своё, давая жизнь новому искусству Петербурга.»
текст куратора выставки «Тихий ход» Кати Поповой
Мельников Вильгений
10 лет экспериментирует со способами формообразования и работой формы с пространством. Создавая дутые металлические модули получается создавать крупные самонесущие (бескаркасные) объекты.
10 лет экспериментирует со способами формообразования и работой формы с пространством. Сейчас нашел предмет основного исследования - это надувание объектов из металла (гидроформовка). Выявляет его особенности, применяя как к абстрактной, так и переосмыслению классической формы. Создавая дутые металлические модули получается создавать крупные самонесущие (бескаркасные) объекты. Модульность позволяет работать со сложным пространством. Сенсорный способ передачи конкретных чувственных переживаний через форму без использования словесного описания объекта. Наличие словесного описания способно только усиливать данный эффект. Уделяет особое внимание работе формы с пространством. Исследует кинестетический способ восприятие формы, и такое явление, как неотъемлемое присутствие внимания человека в объекте, взаимодействие с ним.
Works
Smirnov Ivan
Artist, designer.
In 2016 - graduated from the Faculty of Arts of St. Petersburg State University with a degree in "graphic design".
In 2016 - 2018 - worked in the studio "Projector".
Since 2019 - teacher at the National Research University Higher School of Economics School of Design in the subject of Art Practice.
Since 2021 - Member of the art associations "PARAZIT" (since 2019) and "Golden eyelids".
From 2022 - Curator of the art room "Forks".
Artist, designer.
In 2016 - graduated from the Faculty of Arts of St. Petersburg State University with a degree in "graphic design".
In 2016 - 2018 - worked in the studio "Projector".
Since 2019 - teacher at the National Research University Higher School of Economics School of Design in the subject of Art Practice.
Since 2021 - Member of the art associations "PARAZIT" (since 2019) and "Golden eyelids".
From 2022 - Curator of the art room "Forks".
EXHIBITION CHILDREN:
- 2023 - "Celebration" - personal exhibition. "Navicula artis".
- 2022 - "Winter Hunt" - personal exhibition. "The Fork."
- 2022 - "Cycle" - solo exhibition. "The Icehole."
- 2021 - "Babylon Pit" - solo exhibition. "Laundry 40."
- 2021 - "Lost Proof" - solo exhibition. "Navicula artis".
- 2021 - "Hare Island" - solo exhibition. "Laundry 40."
- 2020 - "NEMOSKVA NOT FAR AWAY". - group exhibition. Central Exhibition Hall Manege
- 2020 - "Peace Lesson" - solo exhibition. "Laundry 40".
- 2019 - "The sky is the meat part, the meat tastes of the sky" - a performance at the opening of the exhibition "SUSPENSE".
- 2019 - "Black Herbarium" - solo exhibition. Library of Book Graphics.
- 2019- "The Letter" - a performance in honor of Cosmonautics Day.
- 2019-"SUSPENSE" - group exhibition. Brakhausen Mansion.
- 2018- "Red Cloud" - solo exhibition. "Laundry 40."
- 2017 - "A walk through the sky" - a performance in honor of Cosmonautics Day
- 2017 - "Blue Mountain" - solo exhibition. "Laundry 40."
- 2016 - "Form and Text" - group exhibition of the artist's book. Hermitage Youth Center.
- 2016 - "String Theory" - solo exhibition. "Laundry 40".
- 2015 - "Midnighters" - solo exhibition. "Laundry 40."
- 2014 - "Cosmic Russia" - solo exhibition. "Navicula artis".
CURATORIAL ACTIVITY:
- 2022 - "Black Hen" - a solo exhibition by Daria Kokorina, a student of the HSE School of Design . "Laundry 40.
- 2022 - "Unspoken Tension" - group exhibition by students of the HSE School of Design. "Laundry 40.
- 2022 - "6" - group exhibition by students of the HSE School of Design. "The Fissure."
- 2022 - "Price" - personal exhibition by Anastasia Shabunaeva, student of the HSE School of Design. "Icehole.
- 2021-"Sakhalin" - personal exhibition by Anna Gracheva, student of the National Research University Higher School of Economics School of Design. "Laundry 40."
- 2021 - "Mr. Feynman's Colored Dreams" - personal exhibition by Nikita Yevchik, student at the National Research University Higher School of Economics School of Design. "Laundry 40.
- 2021 - "In the Penal Colony" - personal exhibition by Daria Kokorina, student at the National Research University Higher School of Economics School of Design. "Laundry 40.
- 2021 - "Drunken Sadness" - personal exhibition by Ekaterina Zabolotskikh, student at the National Research University Higher School of Economics School of Design. "Laundry 40.
Works
Khabarova Natasha
She was born in Latvia in 1985. Lives and works in St. Petersburg.
EDUCATION:
- SPBGUTD sp. Design. Costume.
- NGAHA sp. Monumental and Decorative Art
She was born in Latvia in 1985. Lives and works in St. Petersburg.
EDUCATION:
- SPBGUTD sp. Design. Costume.
- NGAHA sp. Monumental and Decorative Art
PERSONAL EXHIBITIONS:
- 2021 - I'M ALLOWED. OVCHARENKO. Moscow.
- 2019 - SAMFAIR contemporary art fair. St. Petersburg.
- 2019 - Exhibition Pass. dk Gromov. St. Petersburg
- 2018 - SAMFAIR Contemporary Art Fair, St. Petersburg.
- 2018 - SHARPS-7 group North-7. OVCHARENKO. Vinzavod, Moscow.
- 2017 - Independent contemporary art fair. art space 0+. St. Petersburg.
- 2017 - 5/7 Independent Contemporary Art Fair. ETAGI. St. Petersburg.
- 2017 - 4 Independent Contemporary Art Fair. Taiga. St. Petersburg.
- 2018 - Exhibition of graphics - She came by herself. Museum of Modern
SPSU. Dyagilev - 2017 - Project - Looking for an introvert. Residency - Art viland.
Kaliningrad. - 2016 - 4. Art Space - Miracle. St. Petersburg.
- 2016 - Women. Open living room of the Lermontov library. Lermontov.
St. Petersburg. - 2015 - Natasha Khabarova wants to meet. Art League Gallery.
Pushkinskaya 10. St. Petersburg.
GROUP EXHIBITIONS:
- 2022 - We Lied Here. Kirill Akulinichev.
- 2021 - P. Belogo's Project - Reproduction of Fireflies. gallery - Luda. St.
Petersburg. - 2021 - P. Belogo Project - Eros vs Thanatos. DA!MOSCOW. Ekaterina Cultural Foundation.
Moscow. - 2021 - Proekt P. Belogo - HOMO DUPLEX. Space on Rubinshteina, 23. St.
Petersburg. - 2021 - Project - Apparent Movements. Curator A. Morozov.
- 2020 - Project P. Belogo - Opacity. Luda Gallery. St. Petersburg.
- 2020 - Exhibition of S. Isaeva and N. Khabarova - The Third Will. Curator A. Skvortsova Antonov Gallery, St. Petersburg.
- 2020 - P. White's project Neoinfantilism .Luda Gallery, NAMEGALERY, DK GROMOV.
- 2016 - International Philatelic Exhibition in Monte Carlo -
MonakoPhil - 2015 - design of stamps "Nobel laureates in literature
from Russia" for the private postal and courier service Peterspost. - 2015 - Event Everything is Illuminated. Photography Studio 212, St. Petersburg.
- 2015 - Interregional exhibition of young artists Omsk - St. Petersburg. St. Petersburg Union of Artists of Russia. Omsk
- 2015 - Exhibition-contest "Portrait Now. Gallery of Modern Art Erarta St. Petersburg.
- 2015 - New names. Pushkinskaya 10. St. Petersburg.
- 2014 - Three to One. Borey. St. Petersburg
Works
Bushuev Pavel
From 2014 to 2017 he studied at the creative studios of the Russian Academy of Arts in St. Petersburg. His works are in the collections of the Fabergé Museum, BREUS Foudation, the private collection of the head of the Guerlain House and in other collections in Russia and abroad.
Born in 1987 in the city of Kopeysk, Chelyabinsk region.
Graduated from I.I. Repin St. Petersburg State Academic Institute in 2014 (graphic arts department, workshop of Andrei Alexeevich Pakhomov).
From 2014 to 2017 he studied at the creative studios of the Russian Academy of Arts in St. Petersburg. His works are in the collections of the Fabergé Museum, BREUS Foudation, the private collection of the head of the Guerlain House and in other collections in Russia and abroad.
The work presented in the "Deformation" series captures the process of profound changes during the experience of something that comes from the outside, the metamorphosis that occurs inside a person in the process of reflection, the scarring of events and the experience of them and the very thought of them, which distort our cognitive shell.
"Having received an art academic education, I continue to develop in various modern media, being in search of new forms and images, I am constantly experimenting with artistic languages. But the lion's share of my fine practice is still black and white graphics.
In my work, I often come across academic drawing with modern trends, at the moment on the verge of between them is the most interesting space for research for me. It is there that you can find out the limits of normality and subjectivity, reality and mysticism, releasing the images of the subconscious in a more accessible visual manner.
Creativity must always be sincere to find its viewer. Creativity is a constant search for our sides. This is a pleasure from the find. This is a continuous resentment from what has already been done, as a sign that it is necessary to move on.
While working on illustrations for Bram Stoker's Dracula, I needed to find a solution for the performance of this piece. Having tried several techniques, the choice fell on the monotype. The miraculous magic of printing, its randomness bribed me, forced me to look for new images and meanings. In parallel with the work on illustrations for the dark novel, the Warp series was born.
Deformation (from Lat. Deformatio - "distortion") - a change in the relative position of body particles associated with their movement relative to each other. This series presents the deep deformations occurring inside a person. Perceptions of events, experiences and thoughts, as well as external factors pass through us, distorting the cognitive shell. Deformation is the fixation of these sensations." (Pavel Bushuev)
SELECTED EXHIBITIONS AND AWARDS
- 2022 - St. Petersburg Art Fair "1703", a-s-t-r-a gallery, Manezh Central Exhibition Hall, St. Petersburg
- 2022 — Program Art Moscow within the framework of the 48th Russian Antique Salon, a-s-t-r-a gallery. Gostiny Dvor, Moscow
- 2021 — Program Art Moscow within the framework of the 46th Russian Antique Salon, a-s-t-r-a gallery. Gostiny Dvor, Moscow
- 2021 — "Russian Shield", St. Petersburg, Russia
- 2020 — Group exhibition "Kholotel", Moscow, Russia
- 2020 — Cosmoscow Art Fair, Moscow, Russia
- 2019 — ART Event Suspense. Brackhausen Mansion, St. Petersburg
- 2019 — ART Event Suspense 2.0. Sevcable Port, St. Petersburg
- 2018 — Intervention. Hermitage, General Staff Building, St. Petersburg
- 2018 — International Fifth Biennale of Graphics. Romania
- 2012 — International Art Exhibition. Beijing, China
- 2011 — 1st place in the competition for the design of the Olympic bill
- 2010 — International Art Exhibition. Seoul, Korea
Works
Kosinskaya Nadezhda
Nadezhda Kosinskaya lives and works in St. Petersburg. Graduate of St. Petersburg State Academy of Arts named after A.L. Stieglitz, department of monumental and decorative painting.
Works in the techniques of painting, graphics and art object. Uses metal (nails), textiles, embroidery.
Nadezhda Kosinskaya lives and works in St. Petersburg. Graduate of St. Petersburg State Academy of Arts named after A.L. Stieglitz, department of monumental and decorative painting.
Works in the techniques of painting, graphics and art object. Uses metal (nails), textiles, embroidery.
Nadezhda's artworks are in private and museum collections: the State Russian Museum, the Streetart Museum, the Museum. Erzya, collection of Igor Sukhanov, Vera and Alexey Priima, Leonid Franz, Anton Belov, Kirill Avelev, Andrey Egorov, Olga Egorova, Alexandra and Alexander Bolshakovs, Raivis Zabis (Latvia), Katerina Turner (Great Britain), etc.
PERSONAL EXHIBITIONS:
- 2022 - Nadia's Children, Diaghilev Museum of Modern Art. St. Petersburg
- 2022 - "Fibonacci Numbers" art space by Ksenia Tarnavskaya. St. Petersburg
- 2021 - "White Room", Gallery "Door", St. Petersburg
- 2020 - "I'm not going anywhere today", gallery 14/45, St. Petersburg
- 2019 - DREAMS IN WEIGHTLESSNESS KZ gallery (3D / VR gallery)
- 2015 - TRANSPARENCY, Art Center Pushkinskaya 10, Art-League gallery, Moscow
SELECTED GROUP EXHIBITIONS:
- 2022 - About Myself, gallery a-s-t-r-a, Winzavod Centre, Moscow
- 2022 - "Girls!Girls!Girls! Exhibition of Contemporary Art by Russian female artists, Vladey, Winzavod, Moscow
- 2022 - Collective self-fulfilling prophecy about our beautiful tomorrow, a-s-t-r-a gallery, Vinzavod, Moscow
- 2022 - Art Moscow Program at the 48th Russian Antiques Salon, a-s-t-r-a gallery. Gostiny Dvor, Moscow.
- 2022 - Exhibition "Vokzalnaya", Krupskaya Recreation Center, St. Petersburg.
- 2021 - YABA WORLD Contemporary Art Fair. The Home Gallery stand. Sevkabel, Saint Petersburg.
- 2021 - participation in the project "EVERY ARTIST IS SOMEONE'S CHILD", graphics of the generation of the 2010s. Catalog.
- 2021 - "Generation of Thirty", Russian Museum (Marble Palace), St. Petersburg
- 2021 - Two thirds. Coping with reality, Escapement Art gallery. Zurich
- 2021 - "New Ruins", exhibition hall MANEZH, St. Petersburg
- 2021 - Home, sweet, home, Zverev Center for Contemporary Art, Moscow
- 2021 - "Women's Exhibition", FFTN Gallery, St. Petersburg
- 2021 - "Collector's Choice", All-Russian Museum of Decorative and Applied Arts, Moscow
- 2021 - "Architecture of the Undefined", "DK Gromov", St. Petersburg
- 2020 - "Behind the Clouds of Future", "DK Gromov", St. Petersburg
- 2020 - "Flowers for Doctors", MAMM, Moscow
- 2019 - MEMENTO VIVERE, Navicula artis gallery, St. Petersburg
- 2019 - Exhibition of the nominees for the Sergey Kuryokhin Prize. Exhibition Center. S. Kuryokhina, St. Petersburg
- 2016 - Exhibition as part of the 8th St. Petersburg Cultural Forum, "House of Culture Gromov", St. Petersburg
- 2019 - Fair DA! MOSCOW, Moscow
- 2018 - "Dualism" in the framework of the Baltic Biennale of Book Art, St. Petersburg
- 2018 - Fair MASTERS, St. Petersburg
- 2018 - International Art Fair Armenia Art Fair, Yerevan
- 2018 - "Unincluded", AGILE GALLERY, St. Petersburg
- 2018 - "Space", art-residence KvartaRiata, St. Petersburg
- 2018 - SHARPPS7, OVCHARENKO gallery
- 2017-2018 - Participation in 3, 4, 5.6 contemporary art fairs organized by the NORTH 7 group
- 2017-2019 - SAM FAIR Contemporary Art Fair. Saint Petersburg
- 2016 - "So far, so close", Art Center "Taiga", exhibition-dialogue of artists from Finland and Russia
- 2015 - "From avant-garde to avant-garde", Museum. Erzya, Saransk
“My first works using metal appeared in 2019. At some point, I began to work closely in the classical techniques of painting and graphics .. I wanted to expand the boundaries, opportunities. I tried to use nails, metal, to create images .. I liked the structure of this material, graphic and painterly at the same time. Gradually, I began to think with this material, it corresponded to my inner state, allowed me to express myself most clearly. I automatically "tried on" this technique to what I see, I feel that I want to portray. Some of the works are done expressively, in a fit. Others are typed methodically, step by step, day after day. The process of work turns into meditation, immersion. The metal surface resembles armor, a kind of protection from the outside world. Often, in addition to metal, I include other materials in my work - fabrics, plaster. I create a relief painting surface. A lively, emotional message is important ”. Nadezhda Kosinskaya
SELECTED PUBLICATION:
Works
Margolin Dmitriy
Dmitriy Margolin was born in Leningrad.
In 2020 Dmitry received an offer to paint the Church of St.John the Baptist in the Pushkin Mountains. Work on the large-scale painting had been lasting for 5 months and was completed in September 2020.
Dmitriy Margolin was born in Leningrad.
He graduated from Leningrad Secondary Art School. In 2007 he graduated from Ilya Repin State Academic Institute of Painting, Sculpture and Architecture, Faculty of Painting.
His paintings, graphics and sculpture have been exhibited at the Academy of Arts, the Manezh Central Exhibition Hall, the Erarta Museum, the Gromov Gallery and other galleries in Russia and abroad. His works are part of the collection of the Russian Museum.
In 2020 Dmitry received an offer to paint the Church of St.John the Baptist in the Pushkin Mountains. Work on the large-scale painting had been lasting for 5 months and was completed in September 2020.
SELECTED EXHIBITIONS:
- 2022 – Cosmoscow art fair, a-s-t-r-a gallery, Moscow, Russia.
- 2021 – Start Art Fair, London, UK.
- 2019 – Street and Heavenly, DK Gromov Gallery, St.Petersburg, Russia.
- 2015 – Passions, Erarta Museum, St.Petersburg, Russia.
- 2014 – Night Voyage, Italian Hall of the Academy of Arts, St.Petersburg, Russia.
- 2013 – Paintings and graphics by Dmitry Margolin, Master gallery, St.Petersburg, Russia.
- 2008 – Together and individually, MART gallery, St. Petersburg, Russia.
Curatorial text: Dmitry Ozerkov
"...Dmitry Margolin does not use tracing paper, powder and other ancient techniques of copying and drawing images. Each composition he invents anew, and it is not completely similar to well-known Byzantine or Old Russian prototypes, which are only partially recognisable in it. For example, in the scene "Noli me tangere", where the Saviour is open and attentive to Mary coming to him. He does not pull away from her, saying, "Do not touch me, for I have not yet ascended to my Father" (Jn 20:17), but extends his arms to her, as if in a reciprocal embrace. What is this, a violation of the canon? Not at all. Dmitry Margolin depicts an earlier episode of the meeting, when Mary is still only recognizing Jesus. At the open coffin she searches for His body to take Him away. "Jesus says to her: 'Wife, why are you weeping? Who are you looking for?' She, thinking it was the gardener, says to Him, 'Sir! If you have carried Him out, tell me where you put Him, and I will take Him' (Jn 20:15). She still does not understand that it is He, for His appearance appears to be different from that to which she is accustomed. Then He calls her by name and she recognises Him by His voice: "'Mary!' she turns to Him and says, 'Rabboni! - which means 'Teacher!'" (Jn 20:16). And she rushes to Him. Just then He cautions: "Do not touch Me". Margolin does not yet have these last words. And the whole episode is depicted in the Garden of Eden, which apparently the artist was prompted to do by the Gospel word for gardener. All herbs and flowers are there; beasts of unseen beauty roam about. The tiger here does not attack the roe deer, while the "blue ox full of eyes" reclines solemnly and dignified on the ground. The birds of the sky with their incredible colours lie at ease at the feet of the Saviour. This is the story of Prodant's "love which moves the sun and the stars". The composition of this entire scene harks back to the motif of the meeting of a man and a woman which is central to the work of Dmitry Margolin and which he reveals in both painting and sculpture. His Christ and Mary resemble Adam and Eve, the beautiful and abstract kuros and bark, meeting under the paradisiacal apple bush. The sculptures of ancient Greek kuros and bark served as a prototype for the church painting, which the artist in his own way conceptualises and endows with Christian attributes. And Margolin's pictorial painting The Bridegroom and His Bride (2018), where Kuros-Adam meets the bark Eve in the garden. It is both the beginning and the end, the coming fall and the promise of salvation.
Where is "terrible modern art" with its irony and reversals of meaning, with its political conjuncture and flamboyant scandals? There is no place left for all this in the temple. Dimitri Margolin, left it all behind the threshold. However, even the insider's thoughts were enough to reject the mural as a whole. Its creation itself is a gesture of modern art, which gives its author the right to compose textbook subjects from various iconographic elements in his own way. In terms of appearance only the "Last Judgment", placed, as it is supposed to be, on the western wall, is modern with Dmitry Margolin. It represents the urban panorama, where in addition to the houses we can guess the factory chimneys, blast furnaces and countless factory cranes. This whole world blazes in the flames of hell, in contrast to the eternal calm of the Garden of Eden on the symmetrical stage. The demon is cast into the underworld, while the Saviour triumphs in the fence of the heavenly Jerusalem. Ancient iconography is read in a modern way, with added themes of ecology and machine-made hell.
Elements of modernity can also be found in other scenes if one wishes, but their appearance only testifies to the artist's ability to think beyond a given framework. If the whale in the scene with Jonah is utterly hrestomatic and comes from somewhere in the Yaroslavl painting, transferred from the Piskator Bible, the rude peasant faces of the Pskov shepherds in the Nativity scene attract attention with their "realness". They are close to modern faces, which has something in common with the entire history of the depiction of this subject in world art. Simplicity of the faces contrasts with the miracle. With Margolin behind these faces we can read the entire Russian poetic tradition of the Christmas story - from Pasternak to Brodsky, with the "knob in the snowdrift". The centurion Longinus in the Crucifixion scene is also modern. He's not wearing a helmet, and his shaved head and his uniform reinforced with protection give him away as a modern strongman. However, the inscription "SPQR" on his jacket and the canonical attire of the other characters leave no doubt as to the evangelical nature of the events.
What is important in this temple painting is its monumental unity - from the smallest detail, such as the plumage of the bird in "Noli me tangere", to the entire three-dimensional unity as a whole. There is a programme, there is a canon and there is its interpretation in colours. There is a careful and intelligent reading of the canonical text, a prayerful reflection on it and a reading of it today. There is no malice or attempt to shake the foundations here. On the contrary, there is a desire to show that Christian history is alive and more than up-to-date. And that it is precisely today that, beyond basic education and the performance of rituals, the artist and the ordinary parishioner require incredible concentration and high morals in order to continue to call themselves Christians.
Works
Shalashov Ilya
Born in 1988 in Izhevsk.
From 2012 - 2016 studied at the department of artistic metal processing in the St. Petersburg State Art and Industry Academy named after A. L. Stieglitz.
He received a bachelor's degree from the Stieglitz University of St. Petersburg. In 2016, there he also enrolled in the master's program, in which he
where he was engaged in artistic research on the topic: "Transformation of geometric shapes by forging deformation". The main task was to actualize the blacksmith's craft and take it from the framework of "decorative applied" to the sphere of art of small sculptural forms.
The works are in private and museum collections both in Russia and abroad.
Born in 1988 in Izhevsk.
From 2012 - 2016 studied at the department of artistic metal processing in the St. Petersburg State Art and Industry Academy named after A. L. Stieglitz.
He received a bachelor's degree from the Stieglitz University of St. Petersburg. In 2016, there he also enrolled in the master's program, in which he
where he was engaged in artistic research on the topic: "Transformation of geometric shapes by forging deformation". The main task was to actualize the blacksmith's craft and take it from the framework of "decorative applied" to the sphere of art of small sculptural forms.
Before entering the academy he studied at the Suzdal Art and Restoration School, Department of Architectural Metal Restoration (2005 - 2010). Since 2018 - teacher at the department of metal in the Stieglitz Stieglitz Academy of Arts and Industry. In 2018 he had his first solo exhibition - "Metabionics" - which presented graphics and objects made of metal. Ilya works in various directions: sculpture, graphics, art object, installation, public art. In his work, the artist reflects on the principles of natural forms. Analyzes and reveals the inner mechanisms of physical phenomena in his work. Trying to go the way that nature goes, creating the world around us. The main method chosen by the artist for research is experimentation. It assumes that the form cannot be foreseen in advance. The plastic idea undergoes an evolution through a series of conceived and accidental transformations. And it is precisely chance that makes it possible for a form not to be recreated, but to be a new image.
PERSONAL EXHIBITIONS:
- 2021г. - "VKVADRATE". Gallery "Untitled", St. Petersburg.
- 2019г. - "Grains". Gallery "Warehouse 17", St. Petersburg.
- 2018г. - "Metabionics". Kirov Central Park of Culture and Leisure, Small Exhibition Hall of the Stable Building, St. Petersburg.
SELECTED GROUP EXHIBITIONS:
- 2023 - "Atlas of Flora" One's Mind Gallery, St. Petersburg.
- 2022г. - "Sense of the City" State Museum of City Sculpture, St. Petersburg.
- 2021г. - Art Weekand Petersburg in the framework of the 2nd Curatorial Forum. State Museum of City Sculpture, St. Petersburg.
- 2021г. - "Your Name Could Have Been Here" The State Museum of City Sculpture, St. Petersburg. 2021г. - SWO x KRUZHOK / LOH-FI, Flacon, Moscow
- 2021г. - "Winter Exhibition 2020", Alvitr Art x ARTBOX, Divenskaya d. 5, St. Petersburg.
- 2020г. - "I" Gallery "Warehouse 17", Art Weekand Petersburg, within the framework of the 2nd Curatorial Forum. St. Petersburg.
- 2020г. - "WINTERGARDEN". Public space Benoit 1890. St. Petersburg.
- 2019г. - "35x35 art project" / Copelouzos Family Art Museum / Athens/Greece
- 2018г. - "Mind Seeking Nature of Form." Gallery Master, Mayakovsky str. 41, St. Petersburg.
- 2018г. - Semyon Alexandrovsky's laboratory "Man. Habitat", individual performance "Potential sculpture". Skorokhod platform, St. Petersburg.
- 2018г. - "Thinking in the Material: traditions of the Leningrad/Petersburg school of decorative and applied art". Russian Museum, Murmansk.
- 2018г. - "A Particular View. Module - structure - form". New exhibition hall of the Museum of Urban Sculpture, St. Petersburg.
AWARDS AND NOMINATIONS:
- 2021г. - The short-list for the "Collection" contest by Yakitoria together with the Moscow School of Contemporary Art (MSCA). Moscow.
- 2019г. - The short-list of the competition for the creation of Public art in the central park in Elabuga, Republic of Tatarstan. Organizer: Street Art Research Institute, St. Petersburg.
PUBLIC ART:
- 2021г. - "LETIBIT" Monument to Artificial Intelligence for SPbGETU "LETI", Sevkabel Port, St. Petersburg.
- 2019г. - "SYNGURT" Public art project of the program "100 CITY LEADERS" Glazov, Freedom Square.
FAIRS OF MODERN ART:
- 2021г. - Cosmoscov. Central Manege, Moscow
- 2020г. - Blazar Art. Moscow Museum, Gallery "WHITE LINES" Moscow.
WORKS ARE IN THE COLLECTIONS:
- Gromov House, Museum of Modern Art.
- Solovetsky State Historical-Architectural and Natural Museum-Reserve.
- Copelouzos Family Art Museum, a private museum of contemporary art in Athens, Greece.
- The V.I. Ulyanov St. Petersburg State Electrotechnical University "LETI". - In private collections
Works
Nenashev Ivan
Multimedia artist, born in the Samara region in 1991,
Lives and works in St. Petersburg.
Main occupation: painting on canvas and paper, sculpture, ceramics.
Multimedia artist, born in the Samara region in 1991,
Lives and works in St. Petersburg.
Main occupation: painting on canvas and paper, sculpture, ceramics.
Secondary employment under the pseudonym of Glebe Parfume: digital illustration, photography, creating clothing with a unique cut and prints.
The artist is in a constant refinement of shapes, colors, images and rooms that reflect the emotions experienced in a moment in time. Rethinking material perception and rejecting it as something literal and mundane. The forms of people are hypertophied, as the personality, having overcome the boundaries of its vessel, creates and acquires distinctive features from the general mass and even from those similar to itself. She surrounds herself with what is necessary, with what goes beyond the boundaries of the usual environment of many. Other shapes, other colors, other images, other rooms... different emotions, different perception of time
PERSONAL EXHIBITIONS:
- 2022 - "Rooms" by Nikolay Ten (St. Petersburg)
GROUP EXHIBITIONS:
- 2022 - "DOM" Exhibition (Saint Petersburg)
- 2021 - "Posmotrim" Exhibition (Saint Petersburg)
- 2017 - "Eat and Art" by Leo Alekseev (St. Petersburg)
Works
Derevotok Ekaterine
Artist/sculptor, author of story about electric forest, activist
Mediums: public art, theatrical scenery, sculpture (concrete, plaster, plastic), performance art, comics
Artist/sculptor, author of story about electric forest, activist
Mediums: public art, theatrical scenery, sculpture (concrete, plaster, plastic), performance art, comics
EDUCATION:
- 1998-2008 I.A. Krylov Humanitarian Gymnasium No. 24
- 1998 - 2006 Musical Gymnasium No. 16
- 2008-2012 BIFP - actor of drama theater and cinema
- 2013-2017 R.N. Shirgalin, Head of Sculpture Department, Union of Artists - constructive drawing and sculpture
- 2016 Russian School of Calligraphy - Russian ligature
- 2020-2021 - Anna Radchenko's school of visual specialists promotion "CNTRL+art"
- 2022-2023 School of contemporary dance LevelDance
Works
Шкулипа Иван
Художник-самоучка. Ему интересно фиксировать скоротечный момент и создавать эмоцию в рамках полотна, которую человек способен ощутить каждый день в быту. Форма является экспериментальной - каждый раз он её меняет. Именно это и поддерживает его интерес - каждый день подходить к холсту и брать в руки кисть.
Родился в 1998 году в Дальнегорске, Приморский край.
Живет и работает в городе Санкт-Петербург. Художник-самоучка.
Ивану интересно фиксировать скоротечный момент и создавать эмоцию в рамках полотна, которую человек способен ощутить каждый день в быту. Форма является экспериментальной - каждый раз он её меняет. Именно это и поддерживает его интерес - каждый день подходить к холсту и брать в руки кисть.
ИЗБРАННЫЕ ВЫСТАВКИ:
- 2022 – Групповая выставка “Не беспокоить” в галерее Nikolay Evdokimov Gallery, Санкт-Петербург
- 2022 – “Если нет денег на краски, придумай как рисовать по-другому”, Хабаровск
- 2022 – “Если нет денег на краски, придумай как рисовать по-другому”, при поддержке Bad Gallery, Санкт-Петербург.
ИЗБРАННЫЕ ПРОЕКТЫ:
- RULE 154 (художественное оформление интерьера бара), Санкт-Петербург
- Василеостровский рынок (художественное оформление фасада на территории рынка), Санкт-Петербург
СОТРУДНИЧЕСТВО:
- Nike
- MTV Russia
- Time Out
- Urbantiger
- Bad Gallery
Works
Isaeva Sveta
Graduate of the Rodchenko School of Photography and Multimedia (Sergei Bratkov's workshop "Photography, Sculpture, Video") and the British Higher School of Design (photography).
Graduate of the Rodchenko School of Photography and Multimedia (Sergei Bratkov's workshop "Photography, Sculpture, Video") and the British Higher School of Design (photography).
She is engaged in painting, ceramics, conceptual photography, graphics and video.
Works
Ovsyannikov Ilya
EDUCATION:
- 2008 - 2011 Stieglitz St. Petersburg State Academy of Arts and Industry
Department of Monumental and Decorative Art, Art History and Architecture Theory. Postgraduate student - 2002 - 2008 Stieglitz St. Petersburg State Academy of Arts and Industry
Graduate of the Stieglitz Stieglitz Academy of Arts, Department of Monumental and Decorative Art, Restoration (painter-restorer). Specialist.
EDUCATION:
- 2008 - 2011 Stieglitz St. Petersburg State Academy of Arts and Industry
Department of Monumental and Decorative Art, Art History and Architecture Theory. Postgraduate student - 2002 - 2008 Stieglitz St. Petersburg State Academy of Arts and Industry
Graduate of the Stieglitz Stieglitz Academy of Arts, Department of Monumental and Decorative Art, Restoration (painter-restorer). Specialist.
MAJOR EXHIBITIONS:
- 2020 - "Nevsky Express" museum ART4, Moscow
- 2019 - Participation in DA!MOSCOW fair from Kunsthalle nummer sieben gallery. Moscow
- 2019 - "SUMMER CAMP 07/19" Anna Nova Gallery, SPb
- 2018 - "Pulkovo" exhibition at Pulkovo 2 airport terminal, SPb
- 2018 - "Zakrova" na Krupa exhibition - quest in the territory of the Book Fair at the Krupskaya Cultural Center, SPb
- 2018 - "In the plane of Leningrad" solo exhibition / Art League Gallery / Pushkinskaya-10 Art Center, SPb
- 2017 - "Reciprocity", IFA exhibition hall, SPb
- 2017 - "Reflections of the Revolution" Public-art project, painting, joint installation with Andrei Lyublinsky, SPb
- 2016 - "Mother Darkness" solo exhibition, installation, painting, sound, LAMPA gallery, SPb
- 2015 - "Apartment №16/2" exhibition in the halls of the Center for Books and Graphics, SPb
- 2015 - "International Women's Day" solo exhibition/gallery 2.04/ art center Pushkinskaya-10, SPb
- 2015 - "Portrait Genre" personal exhibition / White Hall of the Union of Artists, SPb
- 2015 - "My Friend[oy] Zaslavsky" personal exhibition/ art center "Borey", SPb
- 2015 - "REZIDENTES" solo exhibition/ gallery 2.04/ art center Pushkinskaya-10, SPb
- 2014 - "Color. Colorite. Image." Personal exhibition/ Museum of Applied Art Stieglitz Stieglitz Institute of Arts and Industry, SPb.
- 2014 - Parallel program of the Manifesta 10, "Magnetic Field" painting exhibition, St.Petersburg
- 2013 - "Portrait Similarity" personal exhibition / gallery 2.04 / art center Pushkinskaya-10, SPb
- 2013 - "Plantophrenia" project within the festival Imperial Gardens of Russia, SPb
PEDAGOGICAL ACTIVITY:
- 2008 - 2014 teaching painting at the Faculty of Arts at the Smolny Institute of the Russian Academy of Education.
- 2009 - 2016 teaching painting at the Stieglitz Institute of Arts and Industry.
MEMBERSHIP IN PUBLIC ORGANIZATIONS:
- 2009 - SPbSH.
- 2017 - SPbTSH IFA.
Works
Branchey Alexandrina
Artist, sculptor
Date of birth: 1992, 30 years
Lives and works in St. Petersburg
Artist, sculptor
Date of birth: 1992, 30 years
Lives and works in St. Petersburg
EDUCATION:
- 2009-2011 Leningrad State University named after A.S. Pushkin, Department of Ancient Literature and Ancient
languages - 2011-2016 Herzen State Pedagogical University, Department of Philology and Linguistics
- 2018-2018 Saint Petersburg Kouros School of Sculpture
- 2018-2019 Sculpt Art School of Sculpture in St. Petersburg
- 2018-2020 independent study of art history, private lessons
- 2018-2020 independent studying of art history, private lessons of sculpture and painting at the studio of Valery Bytka
- 2020 Modern Performance Art course at Marina Abramovic Institute
Abramovich - 2021-2022 Academy of Psychology and Psychoanalysis, Department of Jungian
Psychoanalysis; art psychology.
SELECTED EXHIBITIONS:
- 2023 Exhibition "To be a plant" Evdokimov Gallery, St. Petersburg
- 2022 Exhibition "February" at Pop up gallery, Saint Petersburg
Alexandrina Branchey
His works are in private collections in the Netherlands and Germany.
Works
Alexander Koryashkin
Painter, graphic artist
Born in 1984 in Kuibyshev (Samara)
Alexander Koryashkin painter, graphic artist
Born in 1984 in Kuibyshev (Samara)
- 2004 - graduated from the Petrov-Vodkin Art School (Samara)
- 2010 - graduated from the Graphic Department of the St. Petersburg Institute of Painting, Sculpture and Architecture named after IE Repin.
His diploma work was a series of easel sheets (tempera) based on the works of Charles Baudelaire "The Flowers of Evil".
Since 2015, he has been teaching "drawing" at St. Petersburg State University of Architecture and Civil Engineering. In 2005 he was awarded the medal "for academic excellence" (Russian Academy of Arts).
SELECTED EXHIBITIONS:
- 2019 - Suspense, Brakhausen mansion, St. Petersburg.
- 2019 - Suspense 2.0, Sevkabel Port, SPb.
- 2019 - "Natural Class", St. Petersburg Artist Gallery, SPb.
- 2009 - participation in the exhibition-competition "Book in Moleskin".
- 2009 - participation in the exhibition "Ex libris" (Poland).
- 2009 - exhibition "Dostoevsky", library of Gatchina. Gatchina.
Works are stored in: private collections in Russia, Japan, China, Poland, South Korea.
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